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“Munch produced four versions of the composition. Three are in Norwegian museums and this one — a pastel on board from 1895 — is the only “Scream” left in private hands. It is being sold by Petter Olsen, a Norwegian businessman whose father, Thomas, was a friend and patron of the artist.”–Carol Vogel, NY Times
“His 1974 book, ‘Film as a Subversive Art,’ is considered a seminal text dealing with the power of cinema to challenge commonly accepted aesthetic, political, sexual and ideological standards…”